VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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VELAZQUEZ, Diego Rodriguez de Silva y Peasant oil painting


Peasant
mk237 1645-1650 Oil on canvas 65x51.3cm
Painting ID::  54784
VELAZQUEZ, Diego Rodriguez de Silva y
Peasant
mk237 1645-1650 Oil on canvas 65x51.3cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Lady oil painting


Lady
mk237 1650 Oil on canvas 65x59cm
Painting ID::  54785
VELAZQUEZ, Diego Rodriguez de Silva y
Lady
mk237 1650 Oil on canvas 65x59cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Barber oil painting


Barber
mk237 1650 Oil on canvas 50.5x47cm
Painting ID::  54786
VELAZQUEZ, Diego Rodriguez de Silva y
Barber
mk237 1650 Oil on canvas 50.5x47cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Maximi oil painting


Maximi
mk237 1650 Oil on canvas 73.6x58.5cm
Painting ID::  54787
VELAZQUEZ, Diego Rodriguez de Silva y
Maximi
mk237 1650 Oil on canvas 73.6x58.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Bishop oil painting


Bishop
mk237 1650-1651 Oil on canvas 61x48.5cm
Painting ID::  54788
VELAZQUEZ, Diego Rodriguez de Silva y
Bishop
mk237 1650-1651 Oil on canvas 61x48.5cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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